![]() Ironically, this studied attempt to appear Stream of consciousness direction follows a winding road that leads to Comparisons to such filmmakers as Luis Bunuel and Max Ophuls are apt, as Linklater's These are the midnight neuroses that we keep bottled up in our waking The movie's titular characters represent America's subconscious Punks), this generation of twenty-somethings need time to sort things Like others before them (beatniks, hippies, Stance: "Withdrawing in disgust is not the same thing as apathy," as one Most cases, their non-participation in life is a well thought-out There is a morbid attractiveness to their subversiveness. Resources to do just about anything, but they choose instead to do These college-aged people in Austin, Texas have the freedom and Provides the backdrop for this meandering and essentially plot-less ![]() Then-29-year-old director Richard Linklater The spiritual anomie afflicting the generation of the We learn that life's lovable losers often have a far more engaging History may be written by the winners, but in movies like Slacker ![]() ![]() Reflection of a community and its culture and remains a definitive Similarly-overused "Generation X." Regardless, the film is an evocative Immediately co-opted as a media buzzword, one interchangeable with the Paints is so uncannily accurate that the term "slacker" was almost While there's no realĮye for nuance and gift for dialogue are superb, and the portrait he Students, street people and general eccentrics. Period, the film is a collection of short, unconnected glimpses into theĭropout subculture, touching base with a variety of musicians, One of the key American independent films of the 1990s, Richard Linklater'sįeature debut is an audacious look at the twentysomething culture in ![]()
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